Did a Taoist Art of the bedchamber of male Homosexuality Exist?
This is the question posed by Zhang Wanrong in an intriguing article published last year in the journal Religions[1].
The Taoist Art of the bedchamber
For those unfamiliar with the topic, among the techniques for achieving immortality—practices intended to preserve health and attain longevity—was the so-called Taoist sexuality or Art of the bedchamber. It was based on altering the balance of yang and yin energies in favor of the man. Essentially, Taoists proposed that men could enhance their yang life energy by engaging in intercourse with multiple women, especially young or virgin women, who were believed to possess strong yin or feminine energy. By controlling their ejaculation and not losing their yang essence, they would continuously accumulate yang, ultimately achieving long life and potential immortality.
Some of the classic texts that formed the basis of these theories even recommended group sex and encouraged practitioners to have relations with numerous very young women.
Homosexual Love in 17th-Century China
On the other hand, it is well known that during the late Ming dynasty and the early Qing dynasty—essentially from the 17th to the 19th century—there was a tremendous wave of male homosexual love in China. While there are already records of homoerotic relationships between various emperors and their favorites or eunuchs—indeed, the Book of Han (Hanshu) mentions favorites who would sleep and wake with the emperor—during this period, homosexuality became fashionable among scholars and the upper classes. Many intellectuals sought young boys to satisfy their pleasures, though relationships between equals also existed.
Erotic Novels with Homosexual Themes
According to Mr. Zhang, some writers of erotic novels with homosexual themes may have attempted to provide a sort of health-based justification for these practices by incorporating them into the Taoist Art of the bedchamber. They claimed that young boys under the age of twenty had not yet developed yang energy and could therefore be grouped with young girls, in whom yin energy predominated. Consequently, sexual relations with them were purportedly just as beneficial for health as relations with women. However, no medical texts support this claim.
As fundamental references, some novels from that period include Yichun Xiangzhi (The Fragrance of Quality of the Good Spring) and Feng Shuangfei (Two Phoenixes Flying Together), as well as descriptions of the life of a famous Taoist, Ma Zhenyi (馬真一), who, interestingly, employed both elderly women and very young boys in his immortality techniques.
A Cultural Justification
As we can see, there is no strong historical foundation for the existence of a homosexual Art of the bedchamber among Taoists. However, as the author points out, this notion at least provided a culturally and health-based justification (as some narratives traced its origins to alleged homosexual relations between Laozi and Xin Yi, the guardian of the Western Pass for whom he wrote the Daodejing) for those who practiced it.
Regarding the passive partner in these relationships, one novel (Bian’er Chai—Cap and Hairpin) even offers a health-related justification, depicting a protagonist who nourishes his yang when having relations with women and his yin when with men.
It is certainly an intriguing and thought-provoking proposition. Future research may confirm or refute it, but in the obscure realm of the history of sexuality in classical China, it remains, at the very least, a bold hypothesis.
[1] Zhang Wanrong. The Daoist Art of the Bedchamber of Male Homosexuality in Ming and Qing Literature. Religions, 15: 841. 2024.
About me: I have spent 30 years in China, much of the time traveling and studying this country’s culture. My most popular research focuses on Chinese characters (Chinese Characters: An Easy Learning Method Based on Their Etymology and Evolution), Matriarchy in China (there is a book with this title), and minority cultures (The Naxi of Southwest China). In my travels, I have specialized in Yunnan, Tibet, the Silk Road, and other lesser-known places. Feel free to write to me if you’re planning a trip to China. The agency I collaborate with offers excellent service at an unbeatable price. You’ll find my email below.
Last posts
The magic of Chinese characters
The magic of Chinese characters The written word, the Chinese characters, have had from their very origin, a magical meaning for the Chinese. There is no doubt that for them a character is not only a symbol of the concept it claims to represent but the object itself....
Chinese idioms
Chinese idioms One of the most difficult aspects of Chinese is to learn is the so-called idioms or chengyu (成语). In general, they refer to short sentences composed of four characters that allude to some historical fact or literary anecdote from ancient times. Its...
The character chai 拆- dismantle
The character chai 拆- dismantle One of the most frequent characters in the urban scenery of the China of the development and the transformation is chai 拆- dismantle. Any walk through the old neighborhoods of most Chinese cities continually led to being confronted...
The Peach, fruit of immortality
The Peach, fruit of immortality In my "Manual of Writing Chinese Characters" (1) I hold an opinion contrary to that of most scholars of Chinese characters, and that is that the formation of the so-called picto-phonetic characters responds not only to the composition...
Discovering the tiger and the shaman in Chinese characters.
Discovering the tiger and the shaman in Chinese characters. In Chinese skin is pifu (皮肤). In the character pi 皮, which means skin, one can still discover a hand flaying a skin. The character fu 肤, however, is a simplified character, showing us the radical of the...
Chinese character for «snake»
Chinese character for "snake” The Chinese character to represent the snake has undergone over the centuries a curious evolution that, although seen from the cultural perspective of the XXI century may seem strange, it will not be so much if we remember the symbolism...