the dog in China’s ancient tombs

Pedro Ceinos Arcones. La Magia del perro en China y el mundo.  Dancing Dragons Books.  2019.

(Excerpts from the book)

The dog in China’s ancient tombs

In China, dogs buried with their owners have been discovered in archaeological sites belonging to the most important cultures. One of the oldest is that of Jiahu, in Wuyang, some 9,000 years ago, where the eleven dogs buried in their homes and cemeteries already suggest complex symbolic systems and evidence of shamanistic rituals, characterized by the custom of burying dogs in tombs and foundations of houses. A ritual that will remain alive for thousands of years, having also been discovered in the Neolithic village of Bampo, inhabited some 6,000 years ago, as well as in later settlements of the historical epoch. This indicates that the dog was used as a watchdog and that this function had acquired a magical and spiritual dimension (Underhill 2013:224, Yuan 2008).

Dogs accompanying people were found in the funerary grounds of other settlements. In tombs that gradually become more sophisticated, especially the largest that are believed to have belonged to the ruling class were included symbols that mark the belief in a new life (red marks, the color of life), perhaps in another world similar to that of the living (burials with ritual objects and others of daily use) and a route that the soul must pass (with the help of the dog).

Other ancient remains suggest that the dog was the companion of man and that he was not bred as food. The analysis of certain isotopes in their bones shows that they ate basically the same food. On the bones of deer and other animals consumed by their flesh, no incisions made by dog’s teeth have been discovered, while there are marks of teeth of rats and other carnivores. That means that dogs were not fed on human waste, but their role in the family economy was valuable enough to feed them with care. In addition, the general pattern of canine skeletons, often whole and uncut in their bones, responds more to that of the humans than to the animals consumed by their meat, usually cut up to be handled more easily. Finally, the different sizes of dogs unearthed from this long period show that different breeds of dogs adapted to different tasks were already being selected in China (Wang 2011).

The dog as a funerary element reaches great exuberance during the Shang dynasty (XVI-XI BCE), when not only were the tombs of the most powerful were furnished with a surprising amount of bronze objects, some of magnificent craftsmanship, but the number of sacrificial victims, including human victims, increased tremendously. Amid the imperial ardor that gave rise to massive sacrifices of enemies in tombs and in the consecration of public buildings, the dog continued to represent a foremost meaning. Its presence accompanying its master on the journey to the afterlife is a constant in the tombs of the Shang dynasty. Even in relatively humble burials, it is surprising to find the presence of dogs as companions. We know it is not a guardian because it is not at the door, but next to the deceased, usually just below him, looking in the same direction, sometimes with its own coffin. It is the guide and traveling companion. It is the companion of the dead par excellence.

An assessment of the inscriptions on oracular bones, the first Chinese writing, widely used during this dynasty for divinatory purposes, shows that the dog was one of the sacrifices of choice for the deities of the winds. Possibly because of its luminal position at the boundary of the worlds, its sacrifice became common in rituals related to the deities of the directions and of the rains (Eno 2010). The sacrifice of dogs was also common in the founding of cities and public buildings, as well as to worship the deities of the earth, for they appear buried. During this dynasty, there were dog breeding centers, where specimens were selected for hunting and sacrifices. Hunting had a ritual and military character for the Shang. The royal hunting expeditions showed the sovereign in his double dominion of the natural and human world, as the lord of nature and owner of the lands inhabited by men.  During the hunt, the king was accompanied by many dogs kept in charge of officers stationed near the hunting grounds.

Image: China Cultural Relics

 

More posts on Chinese culture

A Woman, a Gun and a Noodle Shop
A Woman, a Gun and a Noodle Shop

A Woman, a Gun and a Noodle Shop Directed by Zhang Yimou: 2009. 85. Min. A Woman and a Gun and a Chinese Noodle House is a quite singular work within Zhang Yimou's filmography. His light-hearted style starts from the first scenes, in which we see the protagonist with...

Jiayuguan Pass – the Great Wall on the Silk Road
Jiayuguan Pass – the Great Wall on the Silk Road

Jiayuguan Pass - the Great Wall on the Silk Road Jiayuguan Pass or Jiayu Pass, as guan means pass in Chinese is one of the most remarkable monuments on the Silk Road and one of its most popular sights. Built at the end of the Great Wall, showing the desolation of the...

Springtime in a Small Town: The best film in China’s history
Springtime in a Small Town: The best film in China’s history

Springtime in a Small Town: The best film in China's history All the rankings made in recent years, place a film, unknown to the general public, as the best film in China. It is called "Springtime in a Small Town" and was directed by Fei Mu in 1948. I had been wanting...

The Character and Function of Music in Chinese Culture
The Character and Function of Music in Chinese Culture

The Character and Function of Music in Chinese Culture In 1946 Bliss Wiant finished his Doctoral dissertation . The subject was “The character and function of Music in Chinese culture.” Some of his reflections are so interesting that I share with readers here some...

History of Dunhuang, crossroads of cultures on the Silk Road
History of Dunhuang, crossroads of cultures on the Silk Road

History of Dunhuang, crossroads of cultures on the Silk Road Dunhuang is one of the most fascinating cities on the Silk Road, although it now appears to be asleep, in the sleep that the improvement of communications in recent centuries has brought to the great...

Kyzil Grottoes – Primitive Buddhist art on the Silk Road
Kyzil Grottoes – Primitive Buddhist art on the Silk Road

The Kyzil Grottoes - Primitive Buddhist art on the Silk Road The Kizil Grottoes are located on the cliffs of Minya Dag Mountain facing the Muzhati River, 7 km southeast of Kizil Township, Baicheng County, and about forty-three kilometers west of present-day Kucha,...

More posts on China ethnic groups

Ritual prostrations of Tibetan pilgrims
Ritual prostrations of Tibetan pilgrims

Ritual prostrations of Tibetan pilgrims The end of the path of any pilgrimage is a temple or mountain considered the abode of the gods. Reaching it is the culmination of the journey. At that moment the pilgrims, in spiritual bliss, pay homage to the gods in two ways:...

Mask of the Protector Palden Lhamo
Mask of the Protector Palden Lhamo

Mask of the Protector Palden Lhamo Palden Lhamo is one of the main protector deities of Tibetan Buddhism. Among her many roles, she is the special protector of the city of Lhasa, the Gelugpa order of Tibetan Buddhism, and the Dalai Lamas of Tibet. She was invited to...

«Dujie» (Initiation Rite) Masks of the Yao people
«Dujie» (Initiation Rite) Masks of the Yao people

"Dujie" (Initiation Rite) Masks of the Yao people                 Popular among the Yao people in Wenshan and Honghe Prefectures, the Dujie masks are used for the ceremonies of the boys' rites of passage. The ceremony, performed for boys that are about fourteen years...

The headdress of the Jingpo women
The headdress of the Jingpo women

The headdress of the Jingpo women The clothing style of the Jingpo people is rough and bold, It is possible that it reflects that past time when they were the masters of the frontier mountains, and caravans had to pay a tax to pass through their lands.  Men of the...

Pictographic writing among the Evenki
Pictographic writing among the Evenki

Pictographic writing among the Evenki In Chi Zijian’s novel The Last Quarter of the Moon (English translation by Bruce Humes) there is a short story describing the creation of pictographs to write the Evenki language. “Shiban had two great loves: creating Evenki...

The Flowery Miao in Zhaotong
The Flowery Miao in Zhaotong

The Flowery Miao in Zhaotong As depicted by E. G. KEMP in The Face of China. New York. 1909. The prefectural town of Zhaotong was reached after passing through a dull plain, across which a piercing wind was blowing, which is characteristic of this district. It is an...