Pedro Ceinos-Arcones. China’s last but one matriarchy: The Jino of Yunnan. 2018
Jinuos’ main religious specialists are bailabao, mopei and zhalai or Blacksmith. The oldest man of the main clan in the village is called zhuoba or mother of the village; the oldest of the second clan is the zhuosheng or father of the village. They have as leader of the village, important ritual functions, presiding over the most important ceremonies and rituals. The oldest woman in the village, called youka, also has some ritual functions. It is possible that in the past most of the clan leaders were women and maybe shamans: the wisest shamans that could divine omens and chant incantations, as they are credited with the first improvements in human civilization.
They believe the power held nowadays by the religious specialists is a heritage of that of the legendary shamanesses, and, as the spiritual power belongs to women, they must feminize themselves. Sometimes when male shamans conduct rituals, they are required to dress as women, or they need to get married symbolically to a goddess.
While the zhuoba and zhuosheng are ritual leaders, bailapao and mopei are associated with shamans. Both bailapao and mopei were hereditary posts (Cheng 1993). Ironsmiths, priests and shamans, due to their dependence on the goddesses, must ritually marry one. From the moment when the love for the goddess is manifested to the time when the ritual wedding is celebrated there are certain steps.
The start is a casual encounter with the goddess who is looking for a representative on earth; usually a strange thing happens that only can be explained for as divine intervention, such as appearing and disappearing of shellfish, which is considered a sign that the goddess of the shellfish is playing with him. Then they ask an old bailapao to divine if the person that suffered this experience has really been before the goddess. To do it he must perform a ceremony for the goddess of shellfish with offerings of pigs and other animals, and must even sacrifice a cow. Before the sacrifice of a cow a very important ceremony is performed, when the old bailapao, before an improvised altar, produces two shellfish enacting the ritual marriage between the new bailapao and the goddess of the shellfish. If the result is positive they must inform the chief of the village, who would advise him about a ritual marriage, in which he would act as witness. Then they must build a house for the bride goddess in the groom’s home, which a size of 30 cm high. Inside it they put a nuptial bed. Then they chose an auspicious date and celebrate the proper wedding, sacrificing a cow. Under the sound of drums and cymbals, the old shaman helps the groom to go near the goddess, doing some magic tricks to make her presence known to everybody. At the end they invite the goddess to go live in the new house, and from then on they consider that this man has two wives: the goddess and his mortal wife.
After this ceremony the old bailapao would instruct the new one during some time until the moment when he can perform ceremonies by himself. Later he will build his own altar to the shellfish goddess, consisting of a wood panel with many shellfish hanging from it, and he would place his divination objects below the altar, and make his ritual dress black color and a ritual cap of the same color, decorated with strips of many colors and with many shellfish hanging. His ritual implements include two ritual swords, a female one used inside the house, and a male one to be used outside, a pole and a paper fan, that are usually kept on the altar (Cheng 1993).
More posts on China ethnic groups
The headdress of the Jingpo women
The headdress of the Jingpo women The clothing style of the Jingpo people is rough and bold, It is possible that it reflects that past time when they were the masters of the frontier mountains, and caravans had to pay a tax to pass through their lands. Men of the...
Pictographic writing among the Evenki
Pictographic writing among the Evenki In Chi Zijian’s novel The Last Quarter of the Moon (English translation by Bruce Humes) there is a short story describing the creation of pictographs to write the Evenki language. “Shiban had two great loves: creating Evenki...
The Flowery Miao in Zhaotong
The Flowery Miao in Zhaotong As depicted by E. G. KEMP in The Face of China. New York. 1909. The prefectural town of Zhaotong was reached after passing through a dull plain, across which a piercing wind was blowing, which is characteristic of this district. It is an...
The Flood Myth, Shamans and the Sani Religion
The Flood Myth, Shamans and the Sani Religion We continue with the second chapter of Paul Vial “Los Lolos”, in which fragments dedicated to the myth of the flood and the activities of its shamans are particularly striking. CHAPTER II - RELIGIOUS TRADITIONS These...
There was a matriarchy among the Yugur?
There was a matriarchy among the Yugur? The matrimonial customs of the Yugur present differences between their two main groups. Among the Eastern Yugur, girls had a time of great sexual freedom. Their rite of passage was the ceremony of making the headdress, which was...
The Yugur of Gansu, descendants of the Kings of Dunhuang
o The Yugur of Gansu, descendants of the Kings of Dunhuang Name. Their Chinese name is Yugu, written 裕 固 族. The Yugu or Yugur call themselves Yaoyuer and Xilayuguer. The name Yugur is relatively recent, as it only began to be used after 1949. Population: About 13,000...