The Grand Canal and the Great Wall
The Grand Canal and the Great Wall
In Brief: A brief review showing some of the similarities between the two iconic works of Chinese history and culture, their goals, and their differences. As well as how they both ended up shaping this country.
I have always been struck by the parallels between the two great wonders of Chinese engineering: the Grand Canal and the Great Wall. The Great Wall stretched along more than six thousand kilometers of China’s northern border, more or less effectively separating the agricultural lands of China proper from the nomadic territories populated by various nations of herders. The Grand Canal runs for 1,800 kilometers through the heart of the country, connecting, thanks to its waters, its main economic, political, and commercial centers. Thus, these two impressive works, unparalleled in the history of mankind, reflecting the ability of the Chinese people to complete tasks of cyclopean dimensions, show the two main impulses present in the formation of China: integration and separation.
While the Great Wall is the symbol of that separation between the Chinese culture, agricultural, sedentary, refined and urban, and those other nomadic cultures, always on the move, the Grand Canal is the symbol of the successful integration between the cultures of northern and southern China that will eventually form a country with well-defined common characteristics.
I think that the Grand Canal and the Great Wall are the warp on which Chinese civilization has been forged, the loom on which history has been shaping one of the most unique cultures of our planet because if it is already known that the Great Wall is the heir of the small walls that began to be built more than 25 centuries ago, in times of the Warring Kingdoms, and that in reality, far from being a single continuous line, it is a complex network of walls of more than 20,000 kilometers, the Grand Canal is the apotheosis of those small canals that from the same time began to shape the economy and politics of China; and linking its five major rivers, it is the main artery of a transportation network difficult to imagine.
The Grand Canal is the apotheosis of those small canals that from the same time began to shape the economy and politics of China and linking its five major rivers, it is the main artery of a transportation network difficult to imagine.
And just as the Great Wall is great as the major heir of the original walls that separated the Chinese world from the outside worlds, the Grand Canal is great as the culmination of the integration processes that during the previous centuries had been gradually bringing the populations of China closer together. Designed for conquest and trade, food production and distribution, for war and peace, the Grand Canal symbolizes the great integration, continuous communication, the construction of a national identity around those distinct cultures inherited from the traditions of the Warring Kingdoms. And especially of northern and southern China; of wheat and rice, meat and fish, toughness and sensitivity, yang and yin. Yes, the Grand Canal could well be the elegant line that separates and communicates the two opposing principles in the classic Taoist anagram.
It is no coincidence that the two great unifications of China have resulted in these two engineering marvels. And if that first unification of the First Emperor Qinshihuang left us the Great Wall, the second, carried out 700 years later by the Sui Dynasty (581-618), bequeathed to posterity the Grand Canal. It is also interesting to note that both works left the respective dynasties, and the people in general, so exhausted that shortly after the completion of their construction, these dynasties were overthrown by popular uprisings, enjoying instead the progress they brought, the dynasties that succeeded them: the Han Dynasty in the case of the Great Wall and the Tang in the case of the Grand Canal. Being the Han and Tang dynasties precisely those that molded the soul of China.
For greater parallelism, these two great works were decisive to the end of these dynasties, and thus, after the death of Qinshihuang, the trap set for his legitimate heir, destined to the Great Wall, led him to suicide, giving way with him to the reign of his weak brother, and eventually to the end of the dynasty. Emperor Yang himself of the Sui dynasty, builder of the Grand Canal, would die in Yangzhou, at the end of an inspection tour of it. This is the second chapter of my book: The Great Canal and the China of the water. It can be read here
Portrait of a Mandarin in 1800
Portrait of a Mandarin in 1800 This was the year in which a very interesting book was published, which through 60 portraits, tried to show some aspects of life in China to the western public. A book now in the public domain, from which we adapted "A Mandarin of...
The art of laying out gardens among the Chinese
The art of laying out gardens among the Chinese In the 1740s, William Chambers travelled on three trading voyages to China with the Swedish East India Company. He was the first European to study Chinese architecture methodically. In a book published in 1757, Designs...
The secret treasure of ancient Chinese art
The secret treasure of ancient Chinese art China has a fabulous artistic treasure hidden from the eyes of the public and specialists. It is her best kept treasure, because given the dispersion of its location, the difficulty of conservation and even evaluation and...
2,000-year-old paintings in a Chinese tomb
2,000-year-old paintings in a Chinese tomb It has been more than 10 years since the publication of The complete collection of murals unearthed in China, a dozen or so books describing with abundant full-color photographs the frescoes discovered in Chinese tombs....
Buddhist Monks in Medieval China
Buddhist Monks in Medieval China That is the subject of John Kieschnick's book. The book analyzes the contents of the three collections of biographies of monks that became famous in medieval China, through them he tries to give us first a characterization of the...
Manual of Taoist Architecture
Manual of Taoist Architecture There are some illustrated books that produce in the reader a contradictory feeling, because the images that explain what the text is about are sometimes accompanied by an exposition of ideas that is too superficial. Therefore the reader...