Gu illness resulted from a contamination by gu poison, which a recent analyst has characterized as “an alien evil spirit which entered [the] body and developed into worms or some similar animal that gnawed away at the intestines or genitalia.” This poison was thought to be picked up in damp and humid wetlands, and after a considerable incubation period, it would cause severe symptoms, including derangement and debauchery, ending in death. …As it turns out, the gu itself was produced from the sexual secretions of men and women engaged in lascivious and incestuous intercourse, or from the similar secretions of various insects and animals purposely cultivated by a person with the intention of poisoning another. These and other accounts point to an origin of gu in an abnormal and degenerate intensification of the emotions, and N. H. van Straten has persuasively argued for a connection with the transgression of taboos on sexuality and aggression: This gu poison and various related aspects can be considered to represent an intensified materialization of the various notions which centered on fear of the instincts as causes of disorder. In theory this disorder was believed to be the natural concomitant of disturbed sexual relationships and the overt expression of aggression that had been dormant for a long time. In practice this meant the repression of the instincts in order to cut out potential sexual and social conflicts; and the psychological problems that arose from this demand are concreted in the concepts of gu poison.
Davis, Edward L. Society and the supernatural in Song China. 2001 University of Hawai‘i Press. P. 90
Last posts
The sung funeral of the Kucong of China
The sung funeral of the Kucong Among the Kucong, one of the peoples who have most persistently maintained their isolation in the mountainous areas on the border of China and Laos, the different stages of the funeral are celebrated through music, which gives the...
The magical world of Yao painting. Jean Pierre Cormerais
The magical world of Yao painting. Jean Pierre Cormerais The Yao ceremonial paintings, the masterworks of the Yao people, nowadays are spread across much of Southeast Asia, increasingly fascinated art lovers worldwide after the apparition of the first paintings in...
The main characteristics of the Yao culture according to W. Eberhard
The main characteristics of the Yao culture according to W. Eberhard The main characteristic of this Yao culture was its productive system, namely slash and burnt dry-agriculture in the mountains. The main products were tuberous plants, apparently cultivated...






